An Animated History of Everything. Go!

Found at Maria Popova's Brain Pickings Web site, this video condenses - she worries, reducts - some of the most interesting ideas from the famous cosmologist Stephen Hawkings.

Illustrations such as these are harmless in the sense that only the tiniest group of our number will ever understand the phenomenon described anyway - I'm actually insanely jealous - and then only through the symbolism of the mathematics. Observational support for Hawking radiation, one of the phenomena described in the video, is elusive, with the Wikipedia entry suggesting that the study of analogs in nature may have to substitute for the real thing.

Explanations like these "commodify wisdom" out of necessity, of course, but also in the sense that much human understanding is derived from analogs anyway. Yes, experimental science offers us direct access the nature, but there are whole swaths of the human experience cannot be understood execept thought metaphor. This is like that, and that, like something else.

Until then, if then, we can only admire chalkboards, translations of a translation, and take satisfaction that something incomprehensible there surely breathes.

Stay curious.

Wayne

Why is the "Hard Problem" of Consciousness so Confounding?

For a computer, consciousness would be a bug-as-bug, not bug-as-feature. Nicholas Carr

During an interview with the IdeaFestival blog in advance of his 2013 appearance, journalist and author Oliver Burkeman confessed that he was fascinated with the subject of consciousness. That interest surfaced again this week in a piece for the Guardian, Why can't the world's greatest minds solve the mystery of consciousness?

The mystery of sentient, self-referential minds can be divided into two general problems. An answer to the more tractable of the two, the so-called easy problem, can be had by pointing to areas of the brain responsible for abilities such as attention and focus. We can watch that electrified mind at work in brain scans.

The "hard problem" of consciousness is altogether different. When our minds attend, for example, to the sight of underfed child, why should that attention also be accompanied by the wrenching, intimate sense that an injustice has occurred? "Why," Burkeman asks, channeling the philosopher David Chalmers in the article, "should any of this feel like something from the inside?" The "hard problem" of consciousness is hard because at the moment there is no good explanation for why any single sensation should be contextualized in a first-person experience, and one, moreover, that is utterly different for each one of us. Newtonian mechanics may one day help us to navigate the stars, but it is a poor substitute for the felt experience of watching our star set over an ocean calm.

For the time being, science's third-party perspective must share any understanding of the subjective experiences of hurt and joy, of parsimony and self-empyting, of sunsets and the sad realization that not every child is well fed, with poets and priests, who, among many other artists, render the world in a human readable format. They bring meaning, if not always accuracy, to the human project. Yes, there is a reason poetry, not novel extracts, are read at funerals.

There are numerous ways in which this arguing over the Hard Problem - and whether it exists, some deny that it does - might bear on our day-to-day lives. Without the capacity to transcend (and not merely follow) the rules we provide, will our robots ever be said to be intelligent - or creative? The always witty Nicholas Carr doubts it, and contributes the quote at the top of this blog post.

Of equal interest to me is another thought: simultaneously author and heir to an impossible story, can the mind, the spongy ferment that named itself, ever fully know itself? Are there things that can never be known?

Please give Why can't the world's greatest minds solve the mystery of consciousness a read. You won't be disappointed!

Stay curious.

Wayne

Want more? Wikipedia: Hard Problem of consciousness Stanford Encyclopedia of Philosophy: Qualia and the Knowledge Argument

IdeaFestival Uncut Video: The Rise Group

In the latest IdeaFestival Uncut video, The Rise Group guides the festival audience last October through a how-to of creativity and innovation, an action-packed, on-your-feet session that might just help you be more innovative in your life - at work or at play.

We invite you to watch.

The IdeaFestival Uncut video series brings you speaker presentations in their entirety, and can be found on IFTV. Please subscribe! And don't forget to follow the festival on Twitter or like us on Facebook.

Have a great weekend!

Stay curious.

Wayne

"IF Uncut" Video: Sam Van Aken's Hole in the Sky

"I'm very invested in confusion. It's where new ideas emerge." Sam Van Aken, IdeaFestival 2014

Artist Sam Van Aken talks about his creative process in the latest IdeaFestival Uncut video.

As you might guess from the quote above, his approach to art making follows a highly disruptive process. That work method is reflected in two current projects: A Hole in the Sky where he attempts to alter the actual weather by using a plane to punch holes in clouds and produce the phenomena known as Jacob's Ladder, and The Tree of 40 Fruit, which is a single tree that can grow over 40 different varieties of stone fruit.

Van Aken uses a method of cloning desirable fruits using a process called grafting in the Tree of 40 Fruit.

In a personal moment nearer the end of the video, Van Aken describes his artistic transformation, going from producing work earlier in his career that was irreverent to work, now, that incorporates elements of the transcendent. He described the Tree of 40 Fruit as a bit of "hocus pocus," a term the he pointed out is related to hoc est (enim) corpus (meum) in the Latin mass. The comparison is particularly apt since many of the fruits that he has grafted are long forgotten varieties that are given new life through Van Aken's work.

The tree's spring display, if you haven't seen it, is simply stunning.

The IdeaFestival Uncut video series brings you speaker presentations in their entirety, and can be found on IFTV. Please subscribe! And don't forget to follow the festival on Twitter or like us on Facebook.

Stay curious!

Wayne

How Shall We Explore?

If I could tell you what it meant, there would be no point in dancing it - Isadora Duncan

Problems cannot be solved until they are first explored. How shall we explore?

Recounting the lessons he's learned from "healthy" design processes - "process, not product," "open v. closed," wait to make decisions until you have to - designer Jared Sinclair expands on each using an illustration.

He uses a video of a John Cleese lecture to describe what he means by "open v. closed."

Creativity is a way of operating, a habit of the mind — not a talent. When you grasp this fact, it becomes painfully clear that the way we organize our time and our interactions with colleagues often undermines the very creativity we’re supposedly chasing after.

Creative sessions should be kept formally separate from the hurried mundanity of getting things done. When we need to solve a problem that requires creativity, we should deliberately shut out all of that noise and stress. For a clearly-defined interval of time — Cleese suggests an hour and a half — we enter a state of humorous, open-ended play. Within this cocoon of play, we strive to think of as many ways to view a problem as we can muster.

The point is not to solve the problem (though that will eventually happen), but merely to explore it. The urge to find a decision and pass judgement will destroy the fragile creative process. Instead, postpone judgement until the allotted time for creative work has lapsed. Only then should you return to a 'closed' mode, in which you are judging and implementing the plans that your creativity has inspired. Repeat the cycle of open and closed modes with regularity.

I appreciated the oh-so current reference to getting things done, the last unexamined virtue of contemporary life. As an introvert - an INTP to be precise - who needs time and space to process what can often feel like overwhelming external stimulation, I've always wondered how anything creative ever happens between the blitz of phone calls, meetings and "quick" emails that consume so much of our days. Cleese's clearly articulated call for regular periods of play - or reading - or daydreaming - or a walk in the woods - is one I can relate to, as is the thought that creativity is not a talent, just room to breathe.

Insights aren't merely the accumulation of facts, but connecting the facts in novel ways. The process, aside from requiring time, isn't one of finding solutions, but of patience and of living in the question. On this, Cleese is emphatic. "We don't know where we get our ideas come from. What we do know," drawing in the next breath, "is that do not get them from our laptops."

How shall we explore?

Tonight, the skies will be clear. I think I'll take in Orion and find where comet Lovejoy's icy bouquet has gotten to.

Stay curious.

Wayne

Wikipedia: Flow psychology