Creativity an "Import-Export" Business

Creativity and 'stage-setting:' Our presenting sponsor, the Kentucky Innovation Network, authored this article on why innovation and creativity is an 'import-export' business.

There is no such thing as useless information.


Groundbreaking, original or innovative ideas can’t be forced, but one can set the stage for their arrival.

That’s the point of a “Pulse” article on LinkedIn, which points out that creativity and innovation is an “import-export business,” one that requires diverse people and ideas, as well as a willingness to tolerate ambiguity and (respectful) disagreement, to succeed.

The ‘Secret Sauce’ of Creativity and Innovation:

Creativity is an exercise in the import and export of perspectives, from one venue or domain to another. Over and over.

The Kentucky Innovation Network believes so much in the importance of new ideas, creativity and innovation to business growth and success that it is the presenting sponsor of the IdeaFestival, which will take place on Sept. 30 – Oct. 2 in Louisville.

We hope to see you there!

Image: Some rights reserved by USDAgov

That Time Your Grandma and Usain Bolt Raced

If you've never thought of it like that, we can help.

Over at O'Reilly, "Data Show" podcaster Ben Lorica has a few words with IdeaFestival 2015 speaker David Epstein, and connects what Epstein has discovered about sports science in his book, "The Sports Gene," with Lorica's interest, big data.

Among the connections was this unexpected and memorable fact.

You might think Usain Bolt moves his legs fast, but he actually repositions his legs at the same rate as your grandmother when she’s running as fast as she can, or maybe your mother if your grandmother is a little older. Sprinters don’t win by moving their legs through the air faster. They win by putting five times their body weight into the ground as fast as humanly possible. (emphasis supplied)

Read - or listen to it - here. And be reminded that there is always a different way of looking at the same information.

If you are planning to purchase a festival pass for 2015, please act now! On Sept. 1 the price will increase.

Stay curious.™

Wayne

Festival Pass Price Goes Up Sept. 1. Don't Wait!

Image by Geoff Oliver Bugbee

Don't wait too long to get your festival pass for the most IdeaFestival IdeaFestival ever. The price will increase on September 1!

These are just two of the fascinating speakers you'll hear this year:

Economist Daniel Altman comes to IF to detail his latest thinking and insights on how power structures, business trends and cultural patterns are influencing (and disrupting) the global economy…and to discuss one possible road map for the future.

Award-winning writer Christine Kenneally draws on the latest fascinating research in genetics, culture and economics to explore where we as humans came from, who we are and where we may be headed.

Get your pass today!

And as always, follow the festival on Twitter or like us on Facebook to stay on top of all the news.

Stay curious.™

Wayne

For Computers, Consciousness Would be "Bug-as-Bug"

Kevin Kelly makes an interesting comparison between artificial intelligence and the natural intelligence of the human mind in Wired. We want, Kelly says, for our intelligent cars to be "inhumanely" focused on the road, not introspectively thinking about the garage earlier in the day. Subjective experience, that first-person account of the world unique to each and every one of us, is a messy process. The mystery of consciousness still baffles the world's brightest minds.

Elsewhere, the ever pithy Nicholas Carr summarizes Kelly's idea thusly: "for computers, consciousness would be a disaster — a bug-as-bug, not a bug-as-feature."

Last year, the economist Tyler Cowen touched on the parts of human intelligence that are irreplaceable - forecasting, introspection, imagination, creativity - and suggested at one point that provided one had some technical knowledge, that humanities degree might be more, not less, valuable, than ever.

Don't miss the University of Louisville's Dr. Yampolskiy talk about "the intersection of AI, security and the future of work" at IdeaFestival 2015.

Stay curious.™

Wayne

"Creative" Emotions? The Emotions You Know

To see what is in front of one’s nose needs a constant struggle.
— George Orwell

In recent years we've come to understand that emotion is critical to thinking.

It's a pulmonary process.

More recently, the psychologist Scott Barry Kaufman has written that an "openness to experience" is one of the defining characteristics of creative thinking. This week in Harvard Business Review he expands on that idea, pointing out that creative minds are "messy," that "affective engagement," or the extent to which one knows one's own emotions, is a predictor of artistic achievement, and that the "unusual" - as in the mixing and matching of a wide variety of ideas or situations - is fertile creative ground.

That last point is an endorsement of the IdeaFestival if I've ever heard one.

I also liked this description of the creative physiology:

At the end of the day, the ability to broaden attention and the ability to narrow attention are both key contributors to creativity. A recent neuroscience study led by Roger Beaty (and which I was a collaborator on) suggests that creative people have greater connections between two areas of the brain that are typically at odds: the brain network of regions associated with focus and attentional control, and the brain network of regions associated with imagination and spontaneity. Indeed, the entire creative process—not just the moments of deep insight— involves states of euphoria and inspiration as well as states of calm, rational focus. Creative people aren’t characterized by any one of these states alone; they are characterized by their adaptability and their ability to mix seemingly incompatible states of being depending on the task, whether it’s open attention with a focused drive, mindfulness with daydreaming, intuition with rationality, intense rebelliousness with respect for tradition, etc. In other words, creative people have messy minds.

Like the jazz trumpeter flirting cleverly with melodies, it's the tension between freedom and focus that produces insight.

I was also reminded of the quote at the top of this post while reading Kaufman's piece, and how easy it is to be led astray - "primed" as Leonard Mlodinow said three years ago, and as Teller magically demonstrated three years before that - unaware of what is right in front of our noses.

Perfect reason, isn't.

Read "The Emotions that Make Us Creative" for yourself. And while you're at it, take in the story behind the image used for this post.

Stay curious.™

Wayne